This was a real honour for me, as I have already protested against this law in the 90s.
If ever there were an icon for the objectification of women, this was it.
Four-hundred and fifty unclothed women are arrayed on the floor around the information booth in New York's Grand Central Terminal as they are photographed by artist Spencer Tunick as part of a human art installation, on October 26, 2003.
The carver was apparently both an ass and breast man.
And the last couple of years, the way I feel about my body has changed so that I don't see it as just an ornament, partly because of the triathlon training.
Something of the same thing happens with his choice of title, Student, the neutral tone of which pulls the figure of the young girl out of the realm of the salacious and into the world of the ordinary.